Saturday, August 25, 2012

Ixion Watches First Blood


Let me get one thing straight: I got the wrong impression of this movie, and of the Rambo character. I had the osmotic impression of a heavily-armed hero, a man of righteous action, delivering justice to the forces of evil in the form of automatic gunfire.

Frankly, I don't know where I got that impression anymore. The film supported it only awkwardly at first, then fell through as we see the poignant sympathy with which the victimized small-town cops are portrayed. Rambo's tearful breakdown at the film's climax smashed that impression like a wrecking ball. This man was not a hero, but a tragic victim-- a living, breathing human being transformed into a weapon and unable to turn himself back.

I find it sad that this character, it now seems, has been so myopically Flanderized into nothing but a scowling, M60-brandishing slab of man-meat, forgetting entirely the powerfully delivered message by the film. I don't know who's fault it is, if it's anyone's-- having not yet seen the later films, it may be that the sequels are themselves to blame. Peering through the foggy glass of the accumulated stereotype overlaid upon the facts, we find ourselves cheering and rooting for the very warlike force that the film so pointedly expresses the bitter tragedy of-- egging on the broken soldier for the gratification of the crowd. It's an uncomfortable feeling, I find.

I liked this movie a lot more than I was expecting to, and for entirely different reasons than I'd anticipated. It took all the guns-blazing action, all the gore and violence, and made it mean something-- the only thing it could realistically mean-- and I love it for that. See it if you haven't. If you have, see it again. It's good stuff.

No comments:

Post a Comment